| ELLIE EPP |
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CV |
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| academic: |
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| 2002 |
Interdisciplinary Ph.D under Special Arrangements: Being about: perceiving,
imagining, representing, thinking. Simon Fraser University. |
| 1993 |
MA in Philosophy: The analog/digital distinction in the philosophy of mind.
Simon Fraser University. |
| 1970 |
Postgraduate Diploma in Film Studies, with distinction, Slade School of
Art, University College , London. |
| 1967 |
Honours BA, first class, in Philosophy, Psychology and English. Queen's
University, Kingston, Ontario. |
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| film and video: |
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| 1996 |
bright and dark |
16mm film, sound, 3 min. |
| 1991 - |
we made this |
2 hr video, in progress |
| 1988 |
notes in origin |
16mm film, silent, 15 min. |
| 1986 |
current |
16mm film, silent, 2 min. |
| 1976 |
trapline |
16mm film, sound, 18 min. |
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| web design |
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| selected publications: |
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| 1998 |
Leaving the land: perception and fantasy. Talk given at Presentation
House symposium on land, relationship and community. online |
| 1997 |
Landscape and shadow. In The Tenuous Image edited by Nicole
Gingras, Les Essais Dazibao, Montreal. online |
| 1996 |
Brain and imagining. In Front magazine, Vancouver, Mar/Apr.
online |
| 1988 |
Charm, value, ethic, tactic ... and gender, in writing. In tessera
6 , Contemporary Verse 2 (11), Toronto. online |
| 1982 |
What will we know. InThe independent eye, CFDC, Toronto. online |
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| activism: |
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- 1985 -
- 2000
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Designer, coordinator, construction supervisor, activist with Strathcona
Community Garden, a 4-acre site in the downtown East End of Vancouver, BC. |
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| selected screenings: |
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| 2010 |
Early monthly segments #14, Toronto. |
| 2009 |
EXIS festival, Seoul. |
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The Western influence, Winnipeg. |
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The wooden lightbox, Birmingham. |
| 2007 |
Double vision, Kitchener and Berlin. |
| 2006 |
En plein air, Anthology Film Archives, New York. |
| 1994 |
Les Absences de la Photographie, Montreal. |
| 1992 |
Formal Diaries tour in Japan. |
| 1992 |
Independent Means: Canadian Experimental Films at the London Film Co-op. |
| 1991 |
Senses of Place, San Francisco Cinemateque. |
| 1988 |
Opening of new National Gallery in Ottawa. |
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Sask Filmpool series curated by Stan Brakhage. |
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Recent Work from the Canadian Avant-Garde, Art Gallery of Ontario. |
| 1984 |
A Different Face, Vancouver. |
| 1980 |
Paris Biennale. |
| 1978 |
Festival of Avantgarde Film in Great Britain, Hayward Gallery, London. |
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| selected performances: |
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| -- Of notes in origin, 2-hr multimedia show: film, tape,
slides, writing |
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| 1994 |
Cinema Libre, Montreal. |
| 1991 |
San Francisco Cinemateque. |
| 1990 |
Experimenta 1990 Festival, Melbourne. |
| 1989 |
Pleasure Dome, Toronto. |
| 1988 |
Canada House, London. |
| 1984 |
Women in Film, Vancouver. |
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| selected grants and scholarships: |
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| 1994 |
SSHRC doctoral fellowship |
| 1991 |
Canada Council Explorations |
| 1988 |
Canada Council B |
| 1982 |
Canada Council project cost |
| 1978 |
Canada Council film production |
| 1974 |
Arts Council of Great Britain completion grant |
| 1970 |
Marty Memorial scholarship |
| 1967 |
Graduating medal in Philosophy, Queen's |
| 1966 |
General Motors scholarship |
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| selected comment & interviews: |
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| A.Bisaccia |
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1995 |
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Il cinema sperimentale Canadese, Rassegna di cinema sperimentale,
Rome. |
| S.Brakhage |
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1989 |
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Space as menace: Canadian aesthetics, unpublished lecture. |
| S.Brakhage |
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2004 |
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Brakhage at Concordia: talk given January 26 2001, Synoptique April
2004, transcribed Lys Woods. www.synoptique.ca/PDF/brakhage.pdf |
| A. & C.Cantrill |
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1990 |
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Ellie Epp - Notes in Origin, Cantrills Filmnotes no. 61-62. online
reprint |
| M.Daniel |
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1996 |
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Through the lens: Film as art produced and directed by Gretchen Jordan-Bastow
and Fumiko Kiyooka, written by Mary Daniel, WTN Vancouver. |
| B.Elder |
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1984 |
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Image: Representation and Object, inTake Two. |
| B.Elder |
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1989 |
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Image and identity, The photographic image in Canadian avant-garde film. |
| N.Gingras |
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1995 |
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Les images reanimees, Les absences de la photographie. |
| P. Grant |
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1991 |
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Trapline (personal document). online reprint |
| M.Hoolboom |
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2001 |
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Liveable Margins. Interview with Michael Hoolboom, in Inside the pleasure
dome: fringe film in Canada, Coachhouse Press. online reprint |
| M.Hoolboom ed. |
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2009 |
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Online monograph. |
| M.O'Pray |
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1986 |
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Independent means. |
| W.Raban |
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1976 |
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Perspectives on British avant-garde film, Hayward Gallery. |
| B.Testa |
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1988 |
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Ellie Epp, Recent Work from the Canadian Avant-Garde, Jonasson &
Shedden eds, Art Gallery of Ontario. online reprint |
| F.Thompson |
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1979 |
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Notes on the reading of avant garde films: Trapline, syntax, Screen
20(2). online reprint |
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